Adım Adım Amasya

The Princes' Route · Stop 8

Büyük Ağa Madrasa

A plan almost without parallel in Ottoman madrasa architecture: the octagon. This form was used in the Ottoman world for the first time here.

1485–1489 Octagonal plan Şamlar neighbourhood
The octagonal body and porticoes of the Büyük Ağa Madrasa, on the riverbank
The Büyük Ağa Madrasa. Hüseyin Menç Archive (Kültürel Miras Boyutuyla Amasya, Photo 19).
AN OTTOMAN FIRST

An octagonal plan

The madrasa has an octagonal plan scheme almost without parallel in Ottoman madrasa architecture. This form, seen above all in Seljuk funerary monuments, was used for the first time in the Ottoman world in this madrasa.1

The building has an octagonal body and twenty rooms. In Islamic art, polygonal architecture with a central courtyard has been regarded as an unusual and rare example. Another example with the same plan is the Rüstem Paşa Madrasa at Cağaloğlu in Istanbul.2

📜 What do the documents say?

It was built in the Şamlar neighbourhood between 1485–1489 by Hüseyin Ağa, the Agha of the Gate (Kapı Ağası) in the reign of Sultan Bayezid II. In the sources it also appears under the names “Medrese-i Hüseyniye” and “Baş Ağa”.3

Besides being a place of learning, the madrasa was planned as the centre of a waqf system. Hüseyin Ağa did not only build this madrasa; he also founded a mosque and another madrasa at Sonisa, and set up an extensive foundation to meet the costs of these three works.4

It belongs to the group of the Altmışlı Medreseler (literally “the sixties”, a rank of madrasa) — that is, the place where teaching of the highest grade was given in the Amasya of its day. The best known of the scholars who taught here is Taşköprülüzade Mustafa Müslihiddin Efendi.1

Afterwards. Having lost its former liveliness by the late 19th century, the madrasa remained in ruins until the 1970s after a series of earthquakes, and was restored in 1978, taking on its present form.1

🗣️ What do the people say?

There is a story attached not to the madrasa itself but to a student who was trained there. His real name was Abdül Baki; a Crimean Turk by origin, he came to Amasya and worked as a molla in the Büyük Ağa Madrasa.5

Again and again he sets out to become the disciple of a sheikh in the village of Ziyere, but each time, out of bashfulness, he cannot bring himself to reach the sheikh, and goes back to the madrasa. In the end the sheikh comes to know of it and sends his disciples to fetch him.

One day the sheikh gathers all his disciples and says:

“You will each bring me a bunch of flowers. Look, these mountains are full of flowers. But no one must see the flower you pick. That is my condition.”

The students scatter, gather flowers from under the bushes and lay their bunches before the sheikh's lectern. Everyone is happy. The only one who is not is Abdül Baki — he comes into the sheikh's presence weeping, empty-handed.

The sheikh asks: “O Abdül Baki, did you not gather any flowers? Where are your flowers?”

“My master, the flowers were all invoking the name of God; I could not bring myself to pick them. And then, did you not tell us to pick them where no one would see? I bent down to pick a flower and saw that God was watching me. That is why I did not pick any, sir.”

The sheikh sees that one of his students has understood what he wanted, and turns to the others: “There — I love your friend Abdül Baki more than all of you. What do you know of the flower's thought, and of its prayer?”

Later, in one of his talks, the sheikh says: “This student of mine is very bashful (hicabi).” Those who hear it begin to call him “Hicabi Efendi” — hicab means modesty and reserve. Today the name of the town of Ziyaret, too, comes from its being the place where he is visited (ziyaret: a visit to a shrine).5

This section is a folk narrative, not a document.

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Key facts

Built
1485–1489
Commissioned by
Hüseyin Ağa, Agha of the Gate (reign of Sultan Bayezid II)3
Other names
Medrese-i Hüseyniye · Baş Ağa · Kapı Ağası Medresesi3
Plan
Octagonal, with a central courtyard and twenty rooms1, 2
Rank
The Altmışlı Medreseler group1
Restoration
19781
Location
40.6587, 35.834948 — verified against OpenStreetMap
In the book
Kültürel Miras Boyutuyla Amasya, p. 46

📍 Open on the map

Sources

Every factual statement on this page rests on one of the sources below. Titles are given in their original Turkish so that they can be found; quotations from them are our translations.

  1. Amasya Valiliği, Amasya Şehir Rehberi (Amasya: Amasya Valiliği, 2013), 67, 68.
  2. Muhammet Enes Yüksek, Amasya Büyük Ağa Medresesi ve Şehrin İlim-Kültür Hayatına Etkisi (Samsun: Ondokuz Mayıs Üniversitesi Lisansüstü Eğitim Enstitüsü, Yüksek Lisans Tezi, 2020), 89. — The section “4.4. Büyük Ağa Medresesi'nin Mimarî Yapısı”: “an octagonal madrasa with twenty rooms”.
  3. Abdizade Hüseyin Hüsameddin Yasar, Amasya Tarihi, 4 Cilt (Ankara: Amasya Belediyesi Kültür Yayınları, 1986), 165-166.
  4. Muhammet Enes Yüksek, “Osmanlı Döneminde Büyük Ağa Medresesi: Vakıf Yapısı, Müderrisleri ve Şehrin İlim Hayatına Etkisi”, 342.
  5. Mustafa Güler, Amasya Efsaneleri (Amasya: Eser Ofset, 1996), 31-33. — The section “Hicabi Abdulbaki Efendi ve Efsanesi”.